A Comparison of Sei Shonagon and Marie de France Essay -- comparison c

A Comparison of Sei Shonagon and Marie de France    Though in excess of 200 years have isolated Sei Shonagon and Marie de France, the scene is a lot of the equivalent. An elegant woman sits in a light lit room, with her composing hand ready over a book of material. Her face lights up in a moment of motivation and she jots angrily onto the paper. This lady is firmly connected with the imperial court and is something of a chronological error, a lady creator in a male-ruled world. The scene envisioned here could have occurred in either Shonagon's late tenth century Japan or the twelfth century France of Marie de France. The distinctions that exist between these two creators are a consequence of their varying societies and characters. Marie de France composes as a result of her time, communicating through her characters, while remembering the orders of the congregation. Sei Shonagon is administered by no such orders and subsequently composed with pitiless trustworthiness. As needs be, the structure, style and symbolism utilized by each creator mirrors her own unmistakable character and qualities.  Sei Shonagon is most notable for her Pillow Book, an assortment of her own musings and perceptions during her time at court. The structure, or scarcity in that department, in this work gives the peruser a look at Shonagon's character. She writes in short blasts, giving the smaller than usual parts such titles as The Sliding Screen in the Back of the Hall, Disdainful Things, and Bulls Should Have Very Small Foreheads. The titles are illustrative of her propensity to compose finally on subjects that may appear to be insignificant, or as the writer concedes in the last section of the Pillow Book, generally unimportant. indeed, these alleged inconsequential perceptions give a s... ...es and societies. One creator is administered by her exacting confidence and adherence to the congregation, the other by her own firmly held feelings. Every lady's composing obviously mirrors her own particular character and personality: Marie de France, increasingly enthusiastic and otherworldly, Sei Shonagon, progressively humorous and stubborn. Both dignified women appear to be devoted to their own convictions and intelligent of their time and culture.   Works Cited  Sei Shonagon. The Pillow Book. Trans. Richard Bowring. The Norton Anthology of World Masterpieces. Extended Edition. Ed. Maynard Mack. New York: W.W. Norton and Co. 1995. 2191-2218. All citations are from this content.  De France, Marie. Eliduc. Trans. John Fowles. The Norton Anthology of World Masterpieces. Extended Edition. Ed. Maynard Mack. New York: W.W. Norton and Co. 1995. 1680-1692. All citations are from this content. Â